![]() That helped us become much more comfortable with the home office now. It was a bit tricky at first to make sure everybody had the proper environment to work in, but because it was a big production, we identified many issues early on. Right after the lockdowns were announced, Lobo had to switch to a fully WFH workflow in the middle of a big production. I am not a morning person at all, but for my personal projects, I’m most creative around 3am.Ĭan you talk about transitioning some artists to a WFH workflow? What is your most productive time of the day?Īfter 10am. From references to preproduction, production and then the final film, I add everything there throughout the process, so opening Miro at the end of a project is one of the most satisfying things to me!Ĭhildren’s Hospital-Foundation Wonder Tower I use a website called Miro to plan out all of my films, and I love seeing the project slowly come to life there. ![]() What is one of the favorite parts of your job? A director needs to be able to convey what’s in their mind very clearly and make quick decisions if things aren’t working out. So not everybody will understand the briefing right away. Making films is a collaborative process we work with people, and everyone has different visions and life stories. ![]() That being a director is all about communication and clarity of thought. What would surprise people the most about what falls under the title of animation director and CD? ![]() “After that,” she says, “we select a team of artists that fit well with such animation style - I make sure everyone (client, team, production) is aligned on the same vision for the film until the final animation is complete.” ![]()
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